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24 April, Monday, 12:00
Stephen Gutman’s piano masterclass at the Choir Hall of the National
Music Academy.
Free admission. All welcome!
26 April, Wednesday, 12:00
“Violin Queen of Music, or what distinguishes instruments of great
masters”
Masterclass and meeting with the violin maker Florian Leonhard at the Choir Hall, National Music Academy.
Free admission. Bring your instrument!
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STEPHEN GUTMAN
London-born Stephen Gutman is recognised as one of Britain’s most
brilliant and creative interpreters of modern music. Following his
studies at the Royal College of Music, he was awarded first prizes
in the Brant Competition and the British Contemporary Piano Competition.
He has given the UK premieres of works by Birtwistle, Ligeti and
Schnittke among others. He has also commissioned many new works
(from Julian Anderson, Michael Finnissy, Simon Holt and Luke Stoneham
for example). He has performed and broadcast widely in Europe as
well as in Japan and the USA. He is a Professor of Piano at the
Guildhall School of Music and Drama in London and was the Contemporary
Artist in association with the Royal Northern College of Music in
Manchester. He has recorded for the Metronome, NMC and Unknown Public
labels.
Among his most personal projects are The Debussy Studies Project and Les Enfants de Rameau. In 1997, with the sponsorship of the
Arts Council of England, he asked 12 British composers to write
pieces mirroring the 12 etudes of Debussy. Two years later, Les
enfants de Rameau, modelled on variations by Dukas, received widespread
critical acclaim. Subsequent activities, including a Satie cycle at Dartington (2001) and acclaimed performances of Birtwistle’s
Harrison’s Clocks (2000) and The Axe Manual (2003) in London, have
confirmed his reputation. In 2004 he created a sequence of interconnected
music events that were built up from the short fantasy What strikes
the clocke by the 16th century composer Edward Gibbons. This integrated
the contributions of professional musicians, students from several
secondary schools and work of composers of all ages and backgrounds.
It was entered for the Guinness Book of Records as the largest number
of premiers in a single performance. Also in 2004, Gutman gave the
Scottish premiere of John Adams’ piano concerto Century Rolls and
in 2005 performed the Tippett Concerto. Future recording projects
include the complete solo works of Jean-Phillipe Rameau on the piano
for Toccata, and Judith Bingham’s piano music for Campion.
Also active as a chamber-music player, Gutman has appeared in concerts
and broadcasts with many distinguished international artists and
ensembles

FLORIAN LEONHARD
Florian Leonhard is one of the leading world experts in Italian
stringed instruments; renowned the world over for his connoisseurship
of violins and restoration skills.
Born to artistic and musical parents, Florian studied at Mittenwald,
Germany as a violin maker before leaving in the mid 80s for W.E
Hill and son's in London, the premier workshop of fine violin restoration
of it's day; under the Hill's uncompromising methodology, he become
head restorer in less than 3 years.
A string of engagements followed, taking Florian back to Germany
only to return again to London. Where in 1995, having gained over
10 years of experience working with the finest instruments in existence,
he started his own restoration workshop and dealership. Class leading
expertise in both restoration and authentication enabled the company
to gain momentum in a few short years, and it was only a matter
of time before Florian Leonhard Fine Violins firmly established
itself as one of the foremost suppliers of fine instruments; resolute
on delivering instruments including Guadagnini, Guarneri and Stradivari
of superb all-round quality to its clients.
Florian acts as specialist consultant to many of the leading Solo
artists in the world including Maxim Vengerov and Stephan Isserlis,
Work in his capacity as instrument expert brings him into regular
contact with orchestras in the UK, Netherlands, Israel, and US,
Including the LSO, Concertgebouw and the IPO.
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