Paolo Olmi studied under Massimo Pradella and
Franco Ferrara in Rome and began his conducting career in 1979 having
studied the piano from an early age. Since making his operatic debut
in 1986 at the Teatro Comunale Bologna he has conducted in many
of the major concert halls and opera throughout the world including
Europe , North and South America , Australia and Asia.
Successful productions have included Moses in Egypt at the Teatro
dell'Opera di Roma and Paolo Olmi was subsequently invited by Wolfgang
Sawallisch to conduct this opera at the Bayerischer Staatsoper in
Munich. He was later awarded, with stage director Pier Luigi Pizzi,
the French music critics' prize for the "Best Opera of the
Year" for the outstanding production of William Tell at the
Theatre de Champs Elysees , Paris . Other operatic highlights have
included the Barber of Seville , The Thieving Magpie , Nabucco and
Turandot at Barcelona Opera, a concert performance of Nabucco at
the Royal Festival Hall, London and Manon Lescaut at Teatro Colon
di Buenos Aires.
In Italy Paolo Olmi has also conducted a highly successful production
of Rossini's Le Siege de Corinthe at the Teatro Carlo Felice di
Genova and also conducted the Royal Philharmonic Orchestra and London
Symphony Chorus in a performance of Rossini's Stabat Mater at the
Arena di Verona. In London , he has appeared at the Royal Festival
Hall with the Royal Philharmonic Orchestra, conducting Verdi's Requiem
and at the Royal Opera House, Covent Garden , where he made his
debut conducting Rossini's Moses in Egypt . At Opera di Lyon he
made his debut with Mozart The Marriage of Figaro and at the Strasbourg
Opera he has appeared on numerous occasions conducting Tosca , Don
Carlos and Ernani and a special performance of Rossini Stabat Mater
to celebrate the Italian presidency of the European Union. At the
Royal Danish Opera Paolo Olmi has also conducted Madame Butterfly
and he made his US debut at the Chicago Lyric Opera in 1996 conducting
Donizetti's Don Pasquale.
Since making his debut at the Deutsche Oper Berlin in 1992, Paolo
Olmi has returned on a number of occasions for productions of La
Fanciulla del West, Aida, La Forza del Destino and Il Trovatore.
Paolo Olmi is also very active on the concert platform and has
conducted such orchestras as Santa Cecilia Rome, Orchestre National
de France, Royal Philharmonic Orchestra, BBC Symphony Orchestra
in London and the Orchestra of RAI Rome where he conducted the complete
symphonies of Mendelssohn, which were televised by National Television.
Following highly successful concerts in Spain with the Royal Opera
House Orchestra in 1996, he appeared with the Orchestra in September
1997 at the Athens Festival and has toured the orchestra again in
Italy and Germany in 2000.
Following a highly successful debut at the Hamburg State Opera
with Rossini's The Barber of Seville , Mr Olmi was immediately reinvited
for a new production of La Forza del Destino at the beginning of
the 98/99 season. Engagements during the last few seasons have included
his debut at Stuttgart Opera conducting the Barber of Seville and
Un ballo un Maschera with the New National Theatre, Tokyo where
he returned to conduct a new production of Nabucco in 2001 and Donizetti's
L'Elisir D'amore in 2002. In January 2000 he conducted a very successful
performance of Verdi's Aida in concert with the London Philharmonic
Orchestra and Philharmonia Chorus which was subsequently taken on
tour in Italy and in December 2000 he conducted the LPO on tour
in Korea.
In 2000 Paolo Olmi conducted Aida in China at the new Opera House
in Shanghai which was a joint collaboration with Teatro Comunale
di Firenze. In 2001 Paolo Olmi conducted performances in Italy with
the BBC Symphony Orchestra and Chorus of the Verdi Requiem and the
Four Sacred Pieces to celebrate the Verdi Anniversary Year and a
production of Verdi's Rigoletto with the Rotterdam Philharmonic
Orchestra and concerts with the London Philharmonic Orchestra and
the Orchestra Santa Cecilia Rome.
Recent and future engagements include a highly successful concert
performance of Verdi's Vespri Siciliani with the Netherlands Radio
Philharmonic Orchestra at the Concertgebouw, a new production of
Donizetti's Lucia di Lammermoor at the New National Theater in Tokyo,
performances of La Boheme at the Nancy Opera, Andrea Chenier at
Turin Opera, further concerts with the Netherlands Radio Philharmonic
Orchestra and performances with the Teatro La Fenice Venice at last
year's Beijing Festival.
(2005)
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